Free-​lancing, many styles, many locations.

This free-​lance artist had the benefit of having varied clients, using many styles : illus­tra­tions, graphic design, humo­rous illus­tra­tion and fine-​art painting—and working at varied loca­tions, as you will see, below.

Dick Moore
After atten­ding the Chicago Academy of Arts in 1948-​50, I then enlisted in the Navy for four years. After my discharge in 1954, I worked in a variety of art studios in Illi­nois, Okla­homa, and then Albu­querque, New Mexico where I began doing portraits of friends and pain­ting in the surroun­ding Sandia Moun­tains.
Then in 1959 I moved to the Bay Area where I part­nered with Fred Meinke who had a small studio on Sacra­mento Street and we began to build a repu­ta­tion of an art service, which we called the Meinke-​Moore art studio. We found a new loca­tion on Front Street and then moved again to Powell Street, near Washington Square. With this self-​promo mailer, we sent out a full size paper “hopscotch”!

AA-M&M-moving-poster

After 5 years I decided to continue working free-​lance on my own in San Fran­cisco. Fred and I remained the best of friends. During this period I was lucky enough to work with G. Dean Smith, a well-​established designer who always managed to improve my work. We spent many years working on various projects, not the least of which were many years of bill­bo­ards and bus cards for ABC’s Channel 7.

I moved to Muir Beach, Marin County, in 1967 where I conti­nued to work on Dean’s projects. In 1969 I moved to Colo­rado, spent a year there and then came back to Cali­fornia and the Russian River area in 1970. In 1974 I moved to Hawaii and spent 7 years in Kona on the Big Island doing water­color pain­ting (as Richard Moore) and some small commer­cial projects.

I returned to the bay area in 1982 and conti­nued to free-​lance until beco­ming employed at Colossal Pictures doing anima­tion back­ground pain­ting and moving to computer pain­ting during a 6-​year stay there.

I then had an oppor­tu­nity at George Lucas’s Indus­trial Light and Magic, pain­ting in the computer for a 7-​year period, lasting until 2004 when I retired and I still continue to paint and dabble in a few art projects.

And the beat goes on ! So good, so far.

Credits.
1. ABC Outdoor Boards—AD : G. Dean Smith, Illus­trator : Dick Moore, 1960s
2. ABC Outdoor Boards—AD : G. Dean Smith, Illus­trator : Dick Moore, 1960s
3. ABC Outdoor Boards—AD : G. Dean Smith, Illus­trator : Dick Moore, 1960s
4. “Bonanza” (Bank Calendar for East Denver, Colo­rado)— Artist : Dick Moore, 1970
5. “human be-​in” Poster (In an OMCA Collection)—Photographer : Lorin Gillette, Design/​Collage : Dick Moore, 1967
6. San Fran­cisco Magazine,“The Mark”, Cover—Artist : Dick Moore, March 1966
7. Sons of Cham­plin, Logo—Designer : Dick Moore, 1973
8. Keys­tone Lodge, Colo­rado, Banners— Design : G.Dean Smith /​Dick Moore,1973
9. Paul Masson, P.O.P. tear-off—Agency : Brown Vint­ners, AD : David Reid, Artist : Dick Moore, 1969
10. Argo­naut Insu­rance Co., Annual Report—Agency : The Wyman Company, AD : Don Carlson, Cover Artist : Dick Moore, 1963
11. Argo­naut Insu­rance Co., Annual Report, Spot Illus­tra­tions, (same as above)
12. “SYBYLL” Book w/​29 Illus­tra­tions, Cover and inside dust jacket—Author : Bea Seidler, Cartoonist : Dick Moore, Printer : Pisani Press, SF, ©1966
13. “Gemini” San Fran­cisco Funky Features, Poster—Illustrator : Dick Moore, 1967
14. “End ‘o Steel”— Author : Glen Dines, Illus­trator : Dick Moore, © The MacMillan Company, 1963
15. Chapel at Kala­pana, HI. Greeting card. (Collection of the Dole Company)—Artist : Dick Moore, 1964
16. Retel­ling of a Jack London story—(Author and Publisher, unknown) Illus­trator : Dick Moore, ©1964
17. Purity Stores, News­paper ad—Agency : Hoefer, Diete­rich & Brown, AD : Richard Wilson, Cartoonist : Dick Moore, 1962

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